The liberal arts lie at the heart of OSU’s 150-year land grant mission
In 2002, the Welsh city of Newport was rocked by the discovery of a wooden ship buried in more than 20 feet of mud along the river Usk. Contractors had been digging a foundation for a new arts center when they struck solid oak timbers. A plan to dispose of the wood and get on with the construction project met with public protests and vigils, says Oregon State University alumnus Toby Jones.
For the rich and the royal, arras hangings were status symbols. They depicted ancient stories of valor and virtue. Often designed to inspire viewers to be braver and better, they also were instruments of political propaganda and puffery.
Instead of blindly following “doctor’s orders,” patients can power up their iPad, Google their symptoms and join a chatroom for a different kind of “expert” opinion — that of ordinary people who have “been there, done that.” In this brave new world of “e-health,” there are bounteous benefits, says Kristin Barker, a sociologist at Oregon State University.
Centuries before modern science, humans traveled, exploited, contemplated and celebrated the seas as explorers, fishermen, whalers, merchants, poets, storytellers, musicians and philosophers. Two new courses sponsored by OSU’s Spring Creek Program and Environmental Leadership Institute will delve into this ancient human-ocean relationship.
hen Shelley Jordon was a little girl growing up in Brooklyn, she got in trouble for pulling her mother’s books off the shelves and drawing in the white spaces. Her need to create was so strong that she couldn’t resist, despite knowing her mom would be angry.